Art & Art History
Focalization: 13 Viewpoints
Artists: Wayne Boyer, Drew Browning, Jeff Crisman, Doug Ischar, Joe Jachna, Silvia Malagrino, Gary Minnix, Jim Morrissette, Esther Parada, Dan Sandin, Ellen Sandor, Hans Schaal, and Paul Shukin
Focalization is an exhibition of photography, film, video, and computer-generated art produced by thirteen faculty members in UlC’s art and design department.
EXHIBITION SUPPORT
Focalization is supported by the University of Illinois at Chicago School of Art and Design’s College of Architecture, Art, and Urban Planning.
PRESS RELEASE
Focalization: 13 Viewpoints
Gallery 400
Chicago, Illinois
March 11–April 12, 1991
Opening Reception: Wednesday, March 13, 1991, 4–7pm
EXHIBITION CHECKLIST
Wayne Boyer
Landscape, 1991
3-D video, film/video
Drew Browning
Disability Activism, 1991
Electronic visualization
Jeff Crisman
Blubak, 1991
Photograph, 16 x 20 in.
Bob Shaw, Sr. in His Studio, 1989
Photograph, 16 x 20 in.
Capt. Jack Cripe, 1988
Photograph, 16 x 20 in.
DC Paul and His Mobile Studio, 1988
Photograph, 16 x 20 in.
Doc Webb in His 4th St. Studio, 1983
Photograph, 16 x 20 in.
Gene Grim in the Studio of Grandson, Wes, 1987
Photograph, 16 x 20 in.
Lorette Folkerson/Ward Hall Sideshow, 1990
Photograph, 16 x 20 in.
Sailor Ned Resinol with Portrait of Tatts Thomas Tattooing Lorette Folkerson, 1988
Photograph, 16 x 20 in.
Doug Ischar
Surrender in Uniform, 1991
Mixed media, 5 x 50 in.
Joe Jachna
Canoe Series, 1975–77
Photograph, 15 3/4 x 83 in.
Family Feet & Shape Series #1, 1969–88
Photograph, 24 x 20 in.
Family Feet & Shape Series #2, 1969–88
Photograph, 24 x 20 in.
Family Feet & Shape Series #3, 1969–88
Photograph, 24 x 20 in.
Family Feet & Shape Series #4, 1969–88
Photograph, 24 x 20 in.
Family Feet & Shape Series #5, 1969–88
Photograph, 24 x 20 in.
Family Feet & Shape Series #6, 1969–88
Photograph, 24 x 20 in.
Silvia Malagrino
The Origins, 1990
Photograph, 7 1/2 x 12 in.
Under Currents #1, 1990
Photograph, 16 x 20 in.
Under Currents #2, 1990
Photograph, 16 x 20 in.
Gary Minnix
Connect the Dots #2, 1990
Color laser copies from computer inkjet prints, 33 x 45 in.
Connect the Dots #3, 1990
Color laser copies from computer inkjet prints, 33 x 45 in.
Jim Morrissette
Quiet Places, 1991
Film/video
Esther Parada
Define/Defy the Frame, 1990
Digital photography using a Macintosh computer, Canon color laser copier, and reproduced by offset lithography, 22 x 33 in.
Monroe Doctrine, Part 1; Theme and Variations, 1987
Digital photography using a Macintosh computer, generated on a Linotronic 300 output, 48 x 70 1/4 in.
Dan Sandin
Fractal Explorations, 1987
Video installation, 8 x 12 x 5 ft.
Spiral 5, 1981
Electronic visualization
Volume of 2-D Julia Sets, 1989
Electronic visualization
Ellen Sandor
The Politics of Pleasure/The Nineties, 1989–90
Stealth negative PHSColograms, 100 x 30 x 30 in.
Hans Schaal
Casting Call for the Die, 1991
Video/film
Paul Shukin
Dance of the Wooden Dolls, 1991
Animation, film/video
Russian Dance, 1990
Animation, film/video
PRINT COLLATERAL
Postcard: Focalization: 13 Viewpoints